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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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Vous avez sélectionné:
Table for Eight
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Table for Eight
Ensemble de Trompettes
By Peter Rauch. For Trumpet Ensemble (8 Trumpets). Large ensemble music. Score and parts. …
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By Peter Rauch. For Trumpet Ensemble (8 Trumpets). Large ensemble music. Score and parts. Published by Cimarron Music Press
$17.00
15.87 €
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Ensemble de Trompettes
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Peter Rauch
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Table for Eight
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Cimarron Music Press
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SheetMusicPlus
Watermelon Man for Clarinet Quintet & Opt. Drumset
Quintette de Clarinettes: 5 clarinettes
By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published…
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By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions
Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.<br> <br> A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamaría released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamaría released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamaría, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.<br> <br> The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.<br> <br> Hancock filled in for pianist Chick Corea in Mongo Santamaría's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamaría at friend Donald Byrd's urging. Santamaría started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamaría later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamaría recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamaría included the track on his album Watermelon Man (1962). Santamaría's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B<br> <br> Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.<br> <br> On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzélé Pygmies (1966), by Simha Arom and Geneviève Taurelle.<br> <br> This version was often featured on The Weather Channel's Local on the 8s segments.<br> <br> The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.<br> <br> A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.
$14.99
13.99 €
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Quintette de Clarinettes: 5 clarinettes
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Herbie Hancock
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Keith Terrett
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Watermelon Man for Clarinet Quintet & Opt. Drumset
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Music for all Occasions
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SheetMusicPlus
Practical Organ Classics for Worship-Digital Download
Eighteen classics from 19th and early 20th centuries. This is a compilation of standar…
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Eighteen classics from 19th and early 20th centuries. This is a compilation of standard organ literature suitable for use in the church service. Selections were taken from composers who lived in the 19th and early 20th centuries. All pieces are registered for organs with two manuals and pedals
Song List
: A Hymn on Confidence (Reger) A Hymn of Devotion (Brahms) A Hymn of Penitence (Reger) A Mighty Fortress Is Our God (Reger) A Song of Comfort (Brahms) Adagio (Merkel) Adagio Cantabile (Mendelssohn) Adagio in D Flat (Liszt) Ah, Holy Jesus (Brahms) Cortege (Vierne) Grand Chorus in B Flat (Dubois) Grand Chorus in F (Franck) Hymnus (Liszt) O World, I Now Must Leave You (Brahms) Out of Deepest Woe I Cry to You (Reger) Offertory in E Flat (Dubois) Postlude in C Major (Merkel) Prelude in C (Vierne)
$22.95
21.42 €
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Practical Organ Classics for Worship-Digital Download
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SheetMusicPlus
O Come All Ye Faithful for Clarinet & Piano
Clarinette et Piano
B-Flat Clarinet,Piano - Level 1 - Digital Download SKU: A0.548510 Composed by Wade.…
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B-Flat Clarinet,Piano - Level 1 - Digital Download SKU: A0.548510 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388105. Published by jmsgu3 (A0.548510). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages, part: 1 page. Clarinet in Bb. O Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604â1656) wrote it. Another theory says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. Seems like the oldest manuscript from 1751, is owned by Stonyhurst College in Lancashire. Lyrics The English translation O Come, All Ye Faithful was certainly written by Frederick Oakeley, a Catholic priest in 1841. This translation is probably the most common in the English speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV King John IV of Portugal was called The Musician King. He became king in 1640. In addition to performing the duties of a king, he was also a composer and music journalist. King John built a very large music library. Unfortunately, the library was ruined in 1755 because of the massive earthquake of Lisbon. In addition to building his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass.
$24.95
23.29 €
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Clarinette et Piano
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Wade
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James M
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O Come All Ye Faithful for Clarinet & Piano
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jmsgu3
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SheetMusicPlus
O Come All Ye Faithful for French Horn & Piano
Cor et Piano
French Horn,Piano - Level 1 - Digital Download SKU: A0.548511 Composed by Wade. Arr…
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French Horn,Piano - Level 1 - Digital Download SKU: A0.548511 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 4 pages. Jmsgu3 #3388113. Published by jmsgu3 (A0.548511). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages, part: 1 page. Horn in F O Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604â1656) wrote it. Another theory says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. Seems like the oldest manuscript from 1751, is owned by Stonyhurst College in Lancashire. Lyrics The English translation O Come, All Ye Faithful was certainly written by Frederick Oakeley, a Catholic priest in 1841. This translation is probably the most common in the English speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV King John IV of Portugal was called The Musician King. He became king in 1640. In addition to performing the duties of a king, he was also a composer and music journalist. King John built a very large music library. Unfortunately, the library was ruined in 1755 because of the massive earthquake of Lisbon. In addition to building his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass.
$24.95
23.29 €
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Cor et Piano
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Wade
#
James M
#
O Come All Ye Faithful for French Horn & Piano
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jmsgu3
#
SheetMusicPlus
O Come All Ye Faithful for Cello & Piano
Violoncelle, Piano
Cello,Piano - Level 1 - Digital Download SKU: A0.548509 Composed by Wade. Arranged …
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Cello,Piano - Level 1 - Digital Download SKU: A0.548509 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388103. Published by jmsgu3 (A0.548509). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages, part: 1 page. O Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it, but one theory is that it was originally composed by King John IV of Portugal (1604â1656) and revised by John F. Wade and John Reading. Nowadays, we usually attribute it to John Wade. The oldest manuscript from 1751, is owned by Stonyhurst College in Lancashire. Lyrics The English translation O Come, All Ye Faithful was certainly written by Frederick Oakeley, a Catholic priest in 1841. This translation is the most common in English speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Often, various verses are omitted because otherwise, the song is just too long. Some believe the first Latin lyrics were written by St. Bonaventure (13th century) or King John IV of Portugal in the 17th. Though others think it was written by the Cistercian monks. King John IV King John IV of Portugal was called The Musician King. He became king in 1640. In addition to performing the duties of a king, he was also a composer and music journalist. King John built a very large music library. Unfortunately, the library was ruined in 1755 because of the massive earthquake of Lisbon. In addition to his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context As mentioned above, verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
23.29 €
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Violoncelle, Piano
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Wade
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James M
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O Come All Ye Faithful for Cello & Piano
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jmsgu3
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SheetMusicPlus
O Come All Ye Faithful for Trumpet & Piano
Trompette
B-Flat Trumpet,Piano - Level 1 - Digital Download SKU: A0.548515 Composed by Wade. …
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B-Flat Trumpet,Piano - Level 1 - Digital Download SKU: A0.548515 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388127. Published by jmsgu3 (A0.548515). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages, part: 1 page. Trumpet in Bb O Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604â1656) wrote it. Another theory says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. Seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Lyrics Frederick Oakeley, a Catholic priest in 1841 wrote the English translation. This translation is probably the most common in the English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built a very large music library. Unfortunately, the massive earthquake of Lisbon ruined the library in 1755. In addition to building his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
23.29 €
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Trompette
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Wade
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James M
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O Come All Ye Faithful for Trumpet & Piano
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jmsgu3
#
SheetMusicPlus
He's Got The Whole World in His Hands, Gospel Song for Clarinet and Trumpet Duet
Clarinette, Trompette (duo)
Instrumental Duet Clarinet,Instrumental Duet,Trumpet - Level 4 - Digital Download SKU: …
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Instrumental Duet Clarinet,Instrumental Duet,Trumpet - Level 4 - Digital Download SKU: A0.590106 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and parts. 4 pages. David McKeown #6168339. Published by David McKeown (A0.590106). Heâs Got the Whole World in His Hands is a traditional American Gospel Song. This version is arranged as a duet for one Clarinet and one Trumpet. Heâs Got the Whole World in His Hands has unknown nineteenth century origins, but was first published in 1927 and reached a wider audience with Laurie Londonâs version in 1957. Mahalia Jackson often performed Heâs Got the Whole World in His Hands in her inimitable style.Heâs Got the Whole World in His Hands is played eight times in a gospel swing style. The melody climbs through six different keys, a semitone at a time, with the accompaniment varying throughout. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.Heâs Got the Whole World in His Hands is suitable for players at an advanced intermediate level and above. With a performance time of around three and minutes, this version of Heâs Got the Whole World in His Hands is perfect for worship and concert performances, both formal and informal. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.72 €
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Clarinette, Trompette (duo)
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Traditional
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David McKeown
#
He's Got The Whole World in His Hands, Gospel Song for Clarinet and Trumpet Duet
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David McKeown
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SheetMusicPlus
O Come All Ye Faithful for Viola & Piano
Alto, Piano
Piano,Viola - Level 1 - Digital Download SKU: A0.548519 Composed by Wade. Arranged …
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Piano,Viola - Level 1 - Digital Download SKU: A0.548519 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 6 pages. Jmsgu3 #3388141. Published by jmsgu3 (A0.548519). O Come All Ye Faithful arranged with new harmony for the final verse. O Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604â1656) wrote it. Another theory says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. Seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Lyrics Frederick Oakeley, a Catholic priest in 1841, wrote the English translation. This translation is probably the most common in English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built a very large music library. Unfortunately, the massive earthquake in Lisbon ruined the library in 1755. In addition to building his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point, though, some of the verses may be unsuitable for whatever church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday but not on other Sundays. Similarly, other verses are used for whether the event is Midnight Mass or regular daytime Mass. Â
$24.95
23.29 €
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Alto, Piano
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Wade
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James M
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O Come All Ye Faithful for Viola & Piano
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jmsgu3
#
SheetMusicPlus
He's Got The Whole World in His Hands, Gospel Song for Flute and Trumpet Duet
Flûte, Trompette (duo)
Instrumental Duet Flute,Instrumental Duet,Trumpet - Level 4 - Digital Download SKU: A0.…
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Instrumental Duet Flute,Instrumental Duet,Trumpet - Level 4 - Digital Download SKU: A0.590113 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and parts. 4 pages. David McKeown #6168359. Published by David McKeown (A0.590113). Heâs Got the Whole World in His Hands is a traditional American Gospel Song. This version is arranged as a duet for one Flute and one Trumpet. Heâs Got the Whole World in His Hands has unknown nineteenth century origins, but was first published in 1927 and reached a wider audience with Laurie Londonâs version in 1957. Mahalia Jackson often performed Heâs Got the Whole World in His Hands in her inimitable style.Heâs Got the Whole World in His Hands is played eight times in a gospel swing style. The melody climbs through six different keys, a semitone at a time, with the accompaniment varying throughout. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.Heâs Got the Whole World in His Hands is suitable for players at an advanced intermediate level and above. With a performance time of around three and minutes, this version of Heâs Got the Whole World in His Hands is perfect for worship and concert performances, both formal and informal. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.72 €
#
Flûte, Trompette (duo)
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Traditional
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David McKeown
#
He's Got The Whole World in His Hands, Gospel Song for Flute and Trumpet Duet
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David McKeown
#
SheetMusicPlus
O Come All Ye Faithful for Trombone & Piano
Trombone et Piano
Piano,Trombone - Level 1 - Digital Download SKU: A0.548514 Composed by Wade. Arrang…
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Piano,Trombone - Level 1 - Digital Download SKU: A0.548514 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388129. Published by jmsgu3 (A0.548514). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages, part: 1 pageO Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604â1656) wrote it. Another theory says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. Seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Lyrics Frederick Oakeley, a Catholic priest in 1841 wrote the English translation. This translation is probably the most common in the English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built a very large music library. Unfortunately, the massive earthquake of Lisbon ruined the library in 1755. In addition to building his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
23.29 €
#
Trombone et Piano
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Wade
#
James M
#
O Come All Ye Faithful for Trombone & Piano
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jmsgu3
#
SheetMusicPlus
He's Got The Whole World in His Hands, Gospel Song for Clarinet and Violin Duet
Clarinette, Violon (duo)
Instrumental Duet Clarinet,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A…
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Instrumental Duet Clarinet,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.590108 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and parts. 4 pages. David McKeown #6168343. Published by David McKeown (A0.590108). Heâs Got the Whole World in His Hands is a traditional American Gospel Song. This version is arranged as a duet for one Clarinet and one Violin. Heâs Got the Whole World in His Hands has unknown nineteenth century origins, but was first published in 1927 and reached a wider audience with Laurie Londonâs version in 1957. Mahalia Jackson often performed Heâs Got the Whole World in His Hands in her inimitable style.Heâs Got the Whole World in His Hands is played eight times in a gospel swing style. The melody climbs through six different keys, a semitone at a time, with the accompaniment varying throughout. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.Heâs Got the Whole World in His Hands is suitable for players at an advanced intermediate level and above. With a performance time of around three and minutes, this version of Heâs Got the Whole World in His Hands is perfect for worship and concert performances, both formal and informal. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.72 €
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Clarinette, Violon (duo)
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Traditional
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David McKeown
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He's Got The Whole World in His Hands, Gospel Song for Clarinet and Violin Duet
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David McKeown
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SheetMusicPlus
He's Got The Whole World in His Hands, Gospel Song for Flute and Violin Duet
Flûte, Violon
Instrumental Duet Flute,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.5…
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Instrumental Duet Flute,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.590115 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and parts. 4 pages. David McKeown #6168363. Published by David McKeown (A0.590115). Heâs Got the Whole World in His Hands is a traditional American Gospel Song. This version is arranged as a duet for one Flute and one Violin. Heâs Got the Whole World in His Hands has unknown nineteenth century origins, but was first published in 1927 and reached a wider audience with Laurie Londonâs version in 1957. Mahalia Jackson often performed Heâs Got the Whole World in His Hands in her inimitable style.Heâs Got the Whole World in His Hands is played eight times in a gospel swing style. The melody climbs through six different keys, a semitone at a time, with the accompaniment varying throughout. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.Heâs Got the Whole World in His Hands is suitable for players at an advanced intermediate level and above. With a performance time of around three and minutes, this version of Heâs Got the Whole World in His Hands is perfect for worship and concert performances, both formal and informal. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.72 €
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Flûte, Violon
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Traditional
#
David McKeown
#
He's Got The Whole World in His Hands, Gospel Song for Flute and Violin Duet
#
David McKeown
#
SheetMusicPlus
He's Got The Whole World in His Hands, Gospel Song for Flute and Viola Duet
Flûte, Alto (duo)
Instrumental Duet Flute,Instrumental Duet,Viola - Level 4 - Digital Download SKU: A0.59…
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Instrumental Duet Flute,Instrumental Duet,Viola - Level 4 - Digital Download SKU: A0.590114 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and parts. 4 pages. David McKeown #6168361. Published by David McKeown (A0.590114). Heâs Got the Whole World in His Hands is a traditional American Gospel Song. This version is arranged as a duet for one Flute and one Viola. Heâs Got the Whole World in His Hands has unknown nineteenth century origins, but was first published in 1927 and reached a wider audience with Laurie Londonâs version in 1957. Mahalia Jackson often performed Heâs Got the Whole World in His Hands in her inimitable style.Heâs Got the Whole World in His Hands is played eight times in a gospel swing style. The melody climbs through six different keys, a semitone at a time, with the accompaniment varying throughout. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.Heâs Got the Whole World in His Hands is suitable for players at an advanced intermediate level and above. With a performance time of around three and minutes, this version of Heâs Got the Whole World in His Hands is perfect for worship and concert performances, both formal and informal. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.72 €
#
Flûte, Alto (duo)
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Traditional
#
David McKeown
#
He's Got The Whole World in His Hands, Gospel Song for Flute and Viola Duet
#
David McKeown
#
SheetMusicPlus
O Come All Ye Faithful for Piano Trio
Piano Trio: piano, violon, violoncelle
Piano Trio - Level 1 - Digital Download SKU: A0.548647 Composed by Wade. Arranged b…
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Piano Trio - Level 1 - Digital Download SKU: A0.548647 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 7 pages. Jmsgu3 #3407487. Published by jmsgu3 (A0.548647). O Come, All Ye Faithful O Come, All Ye Faithful arranged for piano trio ( piano, violin & cello) featuring a thought-provoking re-harmonization of the final verse. O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604â1656) wrote it. Another view says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. It seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Lyrics Frederick Oakeley, a Catholic priest in 1841, wrote the English translation. This translation is probably the most common in English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built an extensive music library. Unfortunately, the massive earthquake in Lisbon ruined the library in 1755. In addition to making his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point, though, some of the poems may be unsuitable for whatever church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday but not on other Sundays. Similarly, other poems are used for whether the event is Midnight Mass or regular daytime Mass. Â
$24.95
23.29 €
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Piano Trio: piano, violon, violoncelle
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Wade
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James M
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O Come All Ye Faithful for Piano Trio
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jmsgu3
#
SheetMusicPlus
He's Got The Whole World in His Hands, Gospel Song for Flute and Clarinet Duet
Flûte, Clarinette (duo)
Instrumental Duet Clarinet,Flute,Instrumental Duet - Level 4 - Digital Download SKU: A0…
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Instrumental Duet Clarinet,Flute,Instrumental Duet - Level 4 - Digital Download SKU: A0.590110 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and parts. 4 pages. David McKeown #6168351. Published by David McKeown (A0.590110). Heâs Got the Whole World in His Hands is a traditional American Gospel Song. This version is arranged as a duet for one Flute and one Clarinet. Heâs Got the Whole World in His Hands has unknown nineteenth century origins, but was first published in 1927 and reached a wider audience with Laurie Londonâs version in 1957. Mahalia Jackson often performed Heâs Got the Whole World in His Hands in her inimitable style.Heâs Got the Whole World in His Hands is played eight times in a gospel swing style. The melody climbs through six different keys, a semitone at a time, with the accompaniment varying throughout. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.Heâs Got the Whole World in His Hands is suitable for players at an advanced intermediate level and above. With a performance time of around three and minutes, this version of Heâs Got the Whole World in His Hands is perfect for worship and concert performances, both formal and informal. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.72 €
#
Flûte, Clarinette (duo)
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Traditional
#
David McKeown
#
He's Got The Whole World in His Hands, Gospel Song for Flute and Clarinet Duet
#
David McKeown
#
SheetMusicPlus
He's Got The Whole World in His Hands, Gospel Song for Violin Duet
2 Violons (duo)
Violin Duet Violin - Level 4 - Digital Download SKU: A0.590139 Composed by Traditio…
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Violin Duet Violin - Level 4 - Digital Download SKU: A0.590139 Composed by Traditional. Arranged by David McKeown. Praise & Worship,Sacred,Spiritual. 4 pages. David McKeown #6168413. Published by David McKeown (A0.590139). Heâs Got the Whole World in His Hands is a traditional American Gospel Song. This version is arranged as a duet for two Violins. Heâs Got the Whole World in His Hands has unknown nineteenth century origins, but was first published in 1927 and reached a wider audience with Laurie Londonâs version in 1957. Mahalia Jackson often performed Heâs Got the Whole World in His Hands in her inimitable style.Heâs Got the Whole World in His Hands is played eight times in a gospel swing style. The melody climbs through six different keys, a semitone at a time, with the accompaniment varying throughout. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.Heâs Got the Whole World in His Hands is suitable for players at an advanced intermediate level and above. With a performance time of around three and minutes, this version of Heâs Got the Whole World in His Hands is perfect for worship and concert performances, both formal and informal. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.72 €
#
2 Violons (duo)
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Traditional
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David McKeown
#
He's Got The Whole World in His Hands, Gospel Song for Violin Duet
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David McKeown
#
SheetMusicPlus
He's Got The Whole World in His Hands, Gospel Song for Trombone Duet
2 Trombones (duo)
Trombone Duet Trombone - Level 4 - Digital Download SKU: A0.590127 Composed by Trad…
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Trombone Duet Trombone - Level 4 - Digital Download SKU: A0.590127 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score. 4 pages. David McKeown #6168387. Published by David McKeown (A0.590127). Heâs Got the Whole World in His Hands is a traditional American Gospel Song. This version is arranged as a duet for two Trombones. Heâs Got the Whole World in His Hands has unknown nineteenth century origins, but was first published in 1927 and reached a wider audience with Laurie Londonâs version in 1957. Mahalia Jackson often performed Heâs Got the Whole World in His Hands in her inimitable style.Heâs Got the Whole World in His Hands is played eight times in a gospel swing style. The melody climbs through six different keys, a semitone at a time, with the accompaniment varying throughout. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.Heâs Got the Whole World in His Hands is suitable for players at an advanced intermediate level and above. With a performance time of around three and minutes, this version of Heâs Got the Whole World in His Hands is perfect for worship and concert performances, both formal and informal. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.72 €
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2 Trombones (duo)
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Traditional
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David McKeown
#
He's Got The Whole World in His Hands, Gospel Song for Trombone Duet
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David McKeown
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SheetMusicPlus
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